Hazell Chaves Méndez

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An elegant writing corner in a San José apartment, centered on an open laptop displaying a blank document, beside a stack of neatly arranged novels by Costa Rican authors with varied, text-free covers in earthy tones. The desk is a smooth, dark wood surface, accented by a small tropical plant in a ceramic pot and a pair of tortoiseshell reading glasses. Morning light filters through sheer white curtains, casting soft, diffused highlights and long, calm shadows. The atmosphere is contemplative and sophisticated, evoking the discipline of a professional writer. Captured from a slightly elevated angle with balanced composition and photographic realism, the background softly fades into an out-of-focus cityscape through the window, suggesting contemporary Costa Rican urban life without distracting from the workspace.

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A hardcover literary novel titled “Después de Lucía” resting on a dark wooden desk, its minimalist cream-colored cover featuring an abstract, ocean-inspired illustration in muted teal and deep blue, hinting at Costa Rican coastal landscapes without using text. Around the book lie a vintage brass fountain pen, a closed linen notebook, and a delicate porcelain cup of black coffee. Soft late-afternoon window light spills across the scene from the left, creating gentle shadows and a warm, introspective glow. Shot at eye level with a shallow depth of field that blurs a background of filled bookshelves, the composition feels sophisticated and intimate, emphasizing the novel as the central focus in a clean, photographic realism style suitable for an author’s homepage hero image.

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